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Midnight Mob - "High Octane Rock N Roll"

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Reviews

Aug 30 2022

Classless Act – Welcome to the Show Album Music Review 2022 (Hard Rock / Rock N Roll / Los Angeles, CA)

Classless-Act-Band-Los Angeles-CA

Release Date

June 24, 2022

Better Noise Music

Tracklisting

1.”Classless Act” (Featuring Vince Neil)

2. “This is for You” (Featuring Justin Hawkins) -> Skip

3. “Time to Bleed” -> Skip

4. “On My Phone” -> Recommended

5. “All that We Are” > Recommended

6. “Made in Hell” > Recommended

7. “Storm before the Calm” -> Background Music

8. “Haunting Love” -> Guilty Pleasure

9. “Walking Contradiction” – > Favorite

10. “Give it to Me” -> Skip

11. “Circles” -> Recommended

12. “Thoughts from a Dying Man” -> Skip

Who is Classless Act, Welcome to the Show for?

This album has a weird confusing focus demographic. In a nutshell, if you are into hard rock on the 80’s / 70’s side and any Slash solo album then the debut Classless Act album, Welcome to the Show is your cup of tea for the most part.

On the flip side, if you are a My Chemical Romance fan then this album is also for you. Most people getting into this album will most likely only like half and either ignore or tolerate the other half pending where you fall and your age.

For some reason it seems the label is really trying to get this band laid by 40 plus horny cougars as well as service the Eddie Trunks of the world. I was always under the impression the big label move is to focus on the younger market so your audience grows with you and buys into all of the marketing shenanigans.

Members

Vocals – Derek Day

Guitars – Dane Pieper / Griffin Tucker

Bass – Franco Gravante

Drums – Chuck McKissock

Classless-Act-Band-Promo

Why is Classless Act Unique?

Here’s the fun part. On first listen, checking out music videos, photo content & live appearances, you’re going to wonder where the hell did these young dudes come from.

The former drummer is London Husdon, Slash’s offspring. I had the pleasure of speaking to London & former guitarist Nico Tsangaris on the Appetite for Distortion podcast hosted by Brando in 2018 at IHeart Radio.

It was an awesome conversation with these driven rock n rollers. From what I dug up, both stopped playing with Classless Act sometime mid 2021, but not before doing massive shows with Slash and the like. I am assuming this is where Classless Act’s music industry mysteriousness comes from.

I read through a few interviews and the band glosses over how they jumped to a Motley Cue / Poison Stadium Tour off the debut album. The focus of the bio seems to be that Classless Act got together using social media and then poof, stadium tour with all the pro sauce.

Classless-Act-Live

The Motley Crue Stadium Tour came out of nowhere with minimal touring experience, seemingly no more industry connections and most likely lacking serious funds to buy on, which is a thing or favor deals between entertainment lawyers.

This is hardly a shade being thrown. When there’s blood in the water go for broke and exploit all opportunities. Every band / musician needs to seize every and any opportunity because it may be the only one you ever get.

Pro tip to all the young bands: talk to literally everyone everywhere because you never know when someone with juice will take a liking to you.

Where Did Drummer, London Hudson, Go?

Since this blog is about Classless Act, I will make this quick, but I think it is worth mentioning since it is Slash’s kid and this record sounds like a fresher Slash album.

London & Nico, package deal I assume, parted with Classless Act sometime in 2021 and then began SUSPECT208 with Scott Weiland’s kid, Noah Weiland, and Rob Trujillo’s kid, Tye Trujillo.

The band released two singles, “Long-Awaited” and “You Got It”, before breaking up due to multiple singer personal issues. They drew resemblances to Velvet Revolver.

London & Nico then began S8NT ELECTRIC (I guess pronounced Saint Electric). You can listen to S8NT ELECTRIC on Spotify.

Pro tip: Don’t name your band something impossible to remember. It makes googling unnecessary and annoying.

I checked out S8NT ELECTRIC and it has cool trashy genuine rock n roll vibe but the songs need a lot of work. The songs are way raw without any hooks and the performance on the recordings is questionable The song “Subliminal” I’m digging though.

S8NT-ELECTRIC-band-los-angeles
S8NT ELECTRIC

Welcome to the Show – Review

All in all it’s a solid hard rock album that I think I would recommend to those into 80’s hard rock, but that’s a question mark. To be honest I didn’t want to like this album because the lead single, “Give It To Me”, was a pile of dated management polished cheese.

I read a lot of other reviews about this record out of curiosity and I was surprised on how praised it was. I will definitely give credit where due. The band’s performance is killer. There is a ton of energy, charisma & personality delivered on each track.

I give a general recommendation to hard rock fans to check this album out because there is something for everyone, but the kitchen sink approach to this album is out of control. I have no idea who Classless Act is.

What is this band’s actual sound? Is Classless Act another label management product where a team of 50 plus writes the music, another team dresses them and then they perform to a sea of 50 plus rock fans? Did Vince Neil secretly put this band together to make himself seem relevant again, if so maybe genius?

The weird marketing of Welcome to the Show is exaggerated by not taking advantage of the summer release. The song “Made in Hell” is a well written super pop song using One Direction and Five Seconds of Summer as a model. It is a happy beachy hooky song made unique with Derek’s manic voice.

You would think this would be the first obvious single to capture the younger market partying on boats at the beach etc… Just do what Diamond Dave would do. You don’t have to reinvent the wheel. Twenty somethings in bikinis (not mom or grandma in a bikini) partying with some young studs rocking out and taking over the world.

How was “Circles” not used as the second summer single? You take the same twenty somethings chicks from the beach put them in pick up trucks, daisy dukes & cowboy hats, get a young pop country pop star to sing one word and all of a sudden you’re riding the Country Music pop charts. Hopefully they push this song at some point because it deserves attention.

The album uses both Vince Neil and Justin Hawkins as a means to push this band, but why? Harry Styles, Taylor Momsen or even Lizzy Hale could have fit somewhere giving more relevant features. It’s funny because Classless Act even acknowledge this by not having Vince Neil in the music video where his vocals are featured.

Instead there’s a half ass ridiculous cut to 80’s Vince Neil drawn on an easel where the viewer stares at his mysterious vocals coming through the drawing as if a scene from Ghostbusters. In regards to Justin Hawkins he is barely audible on the track and it seems like a payday. Good for you, you deserve it. The last Darkness album, Motorheart, in 2021 was absolutely amazing, possibly better than the debut.

Listening to this album repeatedly I keep thinking it should have been split into multiple EP’s focusing on each spectrum of rock this album hits. The song “Give it to Me” could have been an old school English stand alone single not appearing on the album just in single format maybe with a b-side.

I really hope Classless Act move to a younger tour with bands like Palaye Royale, Black Honey, The Pretty Reckless or vets like My Chemical Romance. The talent in this band is so high and deserves to be treated with a more relevant touch.

I am routing hard for Classless Act and hope the band is given more opportunity to showcase what they want to showcase rather than be forced to read from the script. This band has so much talent and I look forward to the sophomore effort.

Cheers lads!

Classless Act Videos

Tour

Classless Act tour dates

Let’s Talk Amigos!

Please hit us personally here at Vanzig Studios for any reason whatsoever using the Contact Form. If you’re curious where Carly and I come from then read over our bio.

Written by Mickey Squeeze · Categorized: Artists, Reviews, Vanzig Mosh Pit · Tagged: 2022, Album Review, New Album Release, Pop Genre, Rock Genre

Jun 28 2020

Lemmy is Blog! – Body Count “Carnivore” 2020 Review

“Lemmy is Blog!” has finally revealed its furry fucked up head and Body Count is set to seek & destroy with “Carnivore”.  “Carnivore” was chosen first to review since BC covers Ace of Spades on this record but also the album dropped right when Covid-19 started to lockdown New York. (Update: today is July 4th and mask wearing is still hardcore and definitely do not see a near end, hats off to those that wear masks their entire work shift pre covid, this sucks!)

New York City March 6, 2020 was a cool but sunny day.  That day I happened to be commuting downtown armed with Purel because it felt like something I was supposed to do and that it made people more comfortable around me.  NYC felt quiet and weirdly relaxed for weekday morning rush hour.  This was some 28 Days later ambience or at least the closest I would ever experience.  This trip downtown was a punch in the face that I should take Covid seriously.   I called up my buddy, Lips, that works at NBC & he was telling me co-workers were being quarantined.  People started locking themselves in doors glued to a TV spewing random unverifiable data.  Once you drop words like “quarantine” you jump into some bio sci-fi thriller type territory.

On the way home, going through Spotify, I noticed Body Count dropped the ironically titled “Carnivore” and holy fuck this could not have come out at a more perfect time.  Carnivore is brutal, angry with a slick groove.  Let the quarantine madness begin.

1. Carnivore – Blast off motherfucker! The title track definitely sets the aggressive Slayer/Testament tone for the record, which seems to be its purpose.  Not a go to track but when it comes on I’m game.

2. Point the Finger – Gun shots, classic thrash metal & slick groove

3. Bum Rush – Sweet change up throwing the Prodigy Fire Starter vibe. Tons of energy.

4. Ace of Spades – Motorhead cover & thank you for doing this justice.  Killer cover.

5. Another Level -Moody giant equipped with a hangover and edginess you do not want to fuck with.  Slow tempoed track giving this album yet another level.

6. Colors 2020 – This is my favorite track.  Old school hip hop flow with groovy metal & whammy bar guitar solo.  What rap metal should be.

7. No Remorse – Slagathore city! This is the sourdtrack to waking up and knowing it’s another shitty awful day.  I skip this one for Another Level.  Worst track on album.

8. When I’m Gone – It’s No Remorse with an Evanescence twist.  Skip track for me.  Second least favorite of the whole album.

9. Thee Critical Beatdown – Thank you for putting the critical beatdown on tracks 7 & 8 with this awesomeness.  One of Carnivore’s meatiest! Horns the fuck up along with vibes of the last album “Bloodlust” which is sick.  When this was released as a single I was sold.

10. The Hate is Real – Thrash & Mosh with some swagger!!!

11. In the Morning – This is an unreleased track and it sounds like an unreleased track.  If you were ever curious about Run DMC doing some metal this would be it.  It’s not a go to but if it’s on in the background I let it roll.

Growing up I was never a huge BC fan, but had a mucho respect for it.  The last album “Bloodlust” and “Carnivore” have made me a fan. Whether you are a fan or not I think everyone can agree BC genuinely comes from the soul with leather boot shitkickers tied high and tight aimed at your throat.

Carnivore ★★★★★

Written by Mickey Squeeze · Categorized: Reviews, Vanzig Mosh Pit

Mar 29 2020

Ozzy Osbourne “Ordinary Man” Album Review 2020

Ten years have past since Ozzy’s last album, Scream.  Then all of a sudden in February 2020 the prince of darkness screams “Lets go animal!” and the new album, Ordinary Man, in all its eleven track glory is bestowed upon the metal, classic rock and top forty crowd community.  In my opionion Ozzy is the John Lennon of the metal world and when he goes there will most likely be a serious come together remembering and celebrating his legacy.  When an artist is way past their prime and still attempting to put out the same intensity as they once did at twenty years old it puts a knot in my stomach.  How often does an artist pull it off with the same piss and vinegar?

When I saw the Ordinary Man singles pop up in my Spotify release radar playlist I couldn’t bring myself to listen because I didn’t want to hear a tired old man still taking shots with absolutely nothing to prove.  Ozzy was my gateway into metal and the first concert I ever went to when he was doing the Retirement Sucks tour. I have very fond memories riding my bike to Tower Records excited to buy an Ozzy cd to add to all the other Ozzy cd’s.

Then while sitting in a parking lot looking for hours to kill I said, “fuck it lets go”.  At that time “Under the Graveyard” was on my Release Radar playlist.  I was blown away and must have listened to the track like ten times before thinking what else Ozzy has released and that’s when I heard “Straight to Hell” and “Ordinary Man (feat. Eleton John)”.  It became quite clear Ozzy sold his soul and we are all experiencing an individual truly fulfilling their purpose in life.

Ordinary Man is such a solid album that you can set to repeat and be pummeled with energy, depth & clarity.  What I like the most is it has it’s own unique vibe and style, which includes infusing Post Malone and Elton John for a vintage modern orgy.  You can hear very modern instrumentation but at the sametime tasteful homeage to Ozzy’s career from Sabbath to current.  It’s almost like a really ambient Sabbath or when Type O Negative shows their Sabbath roots. My overall feeling is conflicted though.  This album plays like Ozzy’s true farewell, the shows over, lets all hold hands and take a bow.  If Ozzy ended on this note I think it would be the perfect punctuation to a legendary career.  Ordinary Man reignited my excitement for the post Ozzmosis career and as much a I want Ozzy to end on this note I am more curious than ever what Ozzy has left in him.

Ordinary Man ★★★★★

Written by Mickey Squeeze · Categorized: Reviews, Vanzig Mosh Pit

Feb 02 2019

#23 | Zombie Vegas Ambient Garage Rock – Reverend Beat-Man & Izobel Garcia | Switzerland

Reverend Beat-Man Izobel Garcia Baile Bruja Album Cover
Reverand Beat-Man & Izobel Garcia Album Cover Baile Bruja Muerto

Voodoo Rhythm Records

Spotify – Reverend Beat-Man

Spotify – Izobel Garcia

Lone Rangers Rating: Squeeze (2/3) ; Carly (2.25/3)

New Album: Baile Bruja Muerto (2019)

Rock Notes:  If your drunk uncle decided to have a garage sale, your sober aunt would pack her bags, go to the diner and later visit the drive in to see Creature from the Black Lagoon with her friend Lupe who identifies as a vampire on the weekend.  It’s that type of music.

Bands Mentioned: Nina Diaz | Carla Morrison | Natalia Lafourcade | Go Go Bordello | Murder City Devils | Venom | The Doors | Type O Negative | Primal Scream | Hardcore Superstar | Ghost | Royal Republic | Himalayas | Arctic Monkeys | Biters | Monster Watch | Monster Truck | The Hives | Disciples of Babylon | The Mad Doctors | Motorhead | Rex Manning | Mustasch | The Dogs | Judas Priest

B Arthur:  Dick Pottery & supporting the working man

Rock N Roll for Airheads | VanzigStudios.com

Written by Mickey Squeeze · Categorized: Reviews, Vanzig Mosh Pit

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